Chiyoko 110mm 1:5.6 Tele Rokkor – review
Chiyoko Tele Rokkor 1:5.6 f=11cm C (Minolta) lens review , aka Chiyoko 110mm 1:5.6 Tele Rokkor
Mount – LTM, Leica Thread Mount, or LSM, Leica Screw Mount, or M39
This lens hasn’t a practical meaning in modern times, so, this article is something like “Tester’s pride” – to review a lens which is considered as rarest in the very first series of Minolta’s lenses for 35mm film.
Chiyoko 110mm 1:5.6 Tele Rokkor specifications:
Name engraved on lens | Chiyoko TELE ROKKOR |
f[mm] | 110 |
A max [1/f] | 5.6 |
A min[1/f] | 22 |
Lens design [el.] | 4 |
Lens design [gr.] | 2 |
Filter thread Ø front(rear)[mm] | 34 |
Lens Shade | – |
closefocus[m/ft] | 2.13/7 |
Dimension Ø x length [mm] | 47 x 71.5/77 |
Weight[g] | 244gr |
Year | 1947 – ? |
Style | Heavy Metal 🙂 |
Notes |
More Data
Floating elements | NO |
Aperture blades number | 10 |
Confidence in the test results of reviewed copies | Average |
Reviewed Lens SN: | 5257 |
Historical notes
This lens was released with the first Minolta-35 camera in 1947 (Model A). The whole list of that lens is:
- 45mm f/2.8 Chiyoko Super Rokkor
- 8.5cm f/2.8 Chiyoko Super Rokkor
- 11cm f/5.6 Chiyoko Tele Rokkor
- 13.5cm f/4 Chiyoko Tele Rokkor
(Not a lot, so an everyone will be reviewed on the site soon)
This f5.6 on 110mm focal distance seems too slow for that ancient period of film-photo. The lens was available in silver-black and entirely in silver. The silver version is considered extremely rare, unlike the black one. Also, “silver” costs several times more. And in general, it is considered a collectible lens. Although at auctions I always watched about the same number of those and those.
My sIlver version is marked with red “c”, some black/silver – with blue “c”. The “c” means – “coated”.
Here a couple of photos with a silver-black copy from eBay:
Chiyoko 110mm 1:5.6 Tele Rokkor lens exterior
My copy is in good condition, has tight rings but it can’t affect the results of tests, so I won’t perform CLA, anyway, no one is going to use it in real photography. The optic is clean enough and it was the main goal.
Attached to the camera Minolta-35 (“Model-B”) – a very suitable set: both were in production and in sale in the one period of time. To be honest, when this site was started I didn’t admit that it’s possible to get so rare lens with so rare camera for the review, which interesting for less than a hundred readers at the world.. or less than a dozen? But it happened and I’m glad to show you this set.
What about accessories – case (“made in occupied Japan”) and mount-cap (I still haven’t a front cap):
The viewfinder
This copy has a little replacement – thin wire isn’t original. I don’t care – the very minor change.
Chiyoko 110mm 1:5.6 Tele Rokkor sharpness
Сlose-distance resolution test, minimal distance
Testing methods description
- Target: 10-15 cm picture, printed on glossy photo paper
- Distance: 1.7m
- Camera: Sony A7II (24mpx, full-frame, tripod, remote control). M-mode, ISO fixed, WB fixed, SteadyShot – OFF.
- The test was repeated for every F-stop on every focus position with manual focus adjustment for each shot. That is to avoid the effect of field curvature.
- RAW processing: Capture One, default settings. All quality settings – 100%. Crops – 300×200 px
Original target image (printed in horizontal orientation on 10cm X 15cm glossy photo paper)
Scene preview
Test results
Long-distance resolution test
Testing methods description
- Target: cityscape
- Distance: > 200 meters to center focus point
- Camera: Sony A7II (24mpx, full-frame, tripod, remote control). M-mode, ISO fixed, WB fixed, SteadyShot – OFF. The focus point is on the center only.
- RAW processing: Capture One, default settings. All quality settings – 100%. Crops – 300×200 px
Scene preview
(note for perfectionists: do not pay attention to the slope of the horizon, it was necessary to bind the image to certain points)
Test results
Chiyoko 110mm 1:5.6 Tele Rokkor aberrations
Vignetting
Geometric distortion
Coma aberrations
Chromatic aberrations
Long-distance bokeh
Test conditions: the lens was focused on minimal distance on the scale (2.13m), buildings are on “infinity”-distance.
Light bubbles bokeh – long distance
The lens is on the minimal focusing distance 2.13m, lights are on infinity (cityscape)
Chiyoko 110mm 1:5.6 – final conclusion
Let me avoid making recommendations or vise versa. Here are just observations:
- Small and lightweight. So small that I was surprised when it has arrived
- Of course, it gives a total “steel&glass” feeling
- Of course, it can’t give us a good or even average IQ, but it works enough to be used with modern digital cameras. In other words, it works much better than it can be expected. Just.., I haven’t idea about reasons for using this lens
- Vignetting and geometry – weak sides, but coma and chromatic are opposite – a very good behavior
- Bokeh is nice, as it usually happens for rangefinders lenses from that era. Has “swirly” notes, but not too much
In the sum of results, it is mostly like a very attractive collectible item, not a photographer’s tool, but the feeling of history comes from this lens, this makes it “special” regardless of the test results
2 Comments
Gary A Hill · 2021-01-21 at 20:59
Very nice review of all your Chiyoko lenses. I have a collection myself, including the 3.5cm/F3.5.
Kindest Regards,
Gary
Tony · 2021-01-22 at 12:32
Thank you. You got a nice set, congratulations. The review and tests for Chiyoko 35mm F3.5 will be published this year close to the summer