Chiyoko 110mm 1:5.6 Tele Rokkor – review

Chiyoko Tele Rokkor 1:5.6 f=11cm C (Minolta) lens review , aka Chiyoko 110mm 1:5.6 Tele Rokkor

Mount – LTM, Leica Thread Mount, or LSM, Leica Screw Mount, or M39

This lens hasn’t a practical meaning in modern times, so, this article is something like “Tester’s pride” – to review a lens which is considered as rarest in the very first series of Minolta’s lenses for 35mm film.

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Minolta MD 100mm 1:2.5 vs MD 100mm 1:4.0 Macro – comparison

Minolta MD 35mm lenses – Minolta MD 100mm 1:2.5 vs MD 100mm 1:4.0 Macro – comparison:

  • Minolta MD Macro 100mm 1:4.0 (MD III, New-MD)
  • Minolta MD 100mm 1:2.5 (MD III, New-MD)

Both these lenses are from the “must-have” category, for different tasks of course – the macro and the telephoto, so, there is no need to choose one of these two – lenses aren’t competitors. The comparison has been performed just because of curiosity.

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Minolta MD 100mm 1:2.5 two copies comparison – LensRomantic

Minolta MD 100mm 1:2.5 two copies comparison (New-MD, MD III or Plain MD design)

The description of a LensRomantic test is here. These comparisons are for collectors or tech-enthusiasts. Photographers may go directly to a lens review.

Minolta New-MD 100mm F2.5 is one of the best-balanced portrait lenses – the ideal combination of focal distance, aperture, and IQ with weight and size. It was forgotten for some period, but today the lens is becoming popular again, and it is harder and harder to find it.

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Minolta MC Rokkor QF 200mm 1:3.5 – MC II – review

Minolta MC Rokkor QF 200mm 1:3.5 vintage manual lens review (Minolta MC Tele Rokkor-QF 1:3.5 f=200mm)

  • Official classification: MC
  • Collector’s classification: MC II, Hills &Valleys, Knurled

The first impression was – it’s solid and heavy. It would be strange to recommend this lens today for photographers because many other much lighter options on 200mm focal distance are available, but for guys who like to take portraits with the feeling of a big piece of steel and glass in the hand – that’s the paradise. Anyway – a good IQ is also a trait of this lens.

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Minolta MC I Rokkor HF 300mm 1:4.5 vs MD 300mm 1:4.5 – comparison

Minolta SR 300mm lenses comparison:

  • Minolta MC Tele Rokkor HF 300mm 1:4.5 (MC I)
  • Minolta MD 300mm 1:4.5 (New-MD, MD III)

This focal distance is enough long to use “on sensor stabilization” during real photography, but for testing, OSS-systems are inappropriate because may affect the results. So, for this comparison, a combination of two tripods was used. It was looked a bit funny but I’m sure that the camera and lens were fixed enough.
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Minolta MC Rokkor HF 300mm 1:4.5 Tele – MC I – review

Minolta MC Rokkor HF 300mm 1:4.5 vintage manual lens review (Minolta MC Tele Rokkor-HF 1:4.5 f=300mm )

  • Official classification: MC
  • Collector’s classification: MC I

It’s difficult for me to make an objective conclusion about this lens – I don’t use such focal distances in real photo-sessions. This lens is for something like birds or foxes or maybe for Moon. Anyway – I can test it in the standard way.

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Minolta MC Rokkor QE 100mm 1:3.5 Tele – MC I – review

Minolta MC Rokkor QE 100mm 1:3.5 vintage manual lens review (Minolta MC Tele Rokkor-QE 1:3.5 f=100mm )

  • Official classification: MC
  • Collector’s classification: MC I

This is the final reincarnation number four of Minolta SR-mount 100mm lenses with faster F=3.5. Production started in 1959 (AR-I design by collectors indexing) and finished with this MC-I between 1969-1970.

Since the first test results were obtained I don’t understand – why Minolta stopped to produce it? This lens is one of the biggest sensations since the site was started.
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